Pandora her Box and her Daddy's Curse
Alejandro C. Estrada What would you do, if one evening you arrived at your home, just like any other day before, and found yourself locked out? Would you call the authorities? Perhaps you might call your husband, wife or significant other—What if, you found out they were dead? “Pandora, her Box and her Daddy’s Curse” is told from a unique perspective reflecting on four-year long homicide investigation. The names have not been changed and nothing has been fictionalized. The facts and historical data this book reveals are shocking. This book is highly controversial, and suggests that the person responsible is a Freemason and thereby, bound by the Masonic oaths to deny every fact and conceal every truth; which could be why former Grand Master Mason, Los Angeles District Attorney Steve Cooley, does not prosecute murder cases. Music artist Lady Gaga released the song ‘Alejandro’ eight months after the alleged murder, which could explain how fear inspired her song. This book introduces a revolutionary concept regarding the society of Freemasons that is “eye-opening” to say the least. The Preface is a non- fictional narrative that integrates factual symbolism with mystic prophecies that parallel with current events taking place in today’s world. Alejandro Estrada starts with a testimony he gave to the United Nations High Commissioner for Human Rights in August 2012. Chapter 2 is a little off topic, which the reader finds out later in the book, is the entire topic of the book. Each Chapter leaves the reader hungry for more, and after reading “Pandora, her Box and her Daddy’s Curse” your entire outlook of the world around you just might change because everything in this book is 100% real; real people, real events, real facts, tangible evidence bound by penalty of perjury. "Pandora, her Box and her Daddy's Curse" is: AMAZING, TERRIFYING, and ENLIGHTENING Once you begin, you'll find it hard to put down and after you read the last sentence of the book, do not be surprised if you catch yourself starting back at the Introduction again. Alejandro Estrada’s use of language is addictive and his words fly off the pages, like Pegasus off Mount Olympus.
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164 Pages