Airs, duets, and chorusses, in a new dramatic piece, in one act, called Britain's brave tars; or, all for Saint Paul's. As performed at the Theatre-Royal, Covent-Garden.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition ++++ Bodleian Library (Oxford) T183185 Anonymous. By John O'Keeffe. The music for this afterpiece, first performed on the 19th of December 1796, was composed by Thomas Attwood. The subject of the piece was the naval victories of Howe, St. Vincent and Duncan, and the thanksgiving service for these victories held at St. Paul's Cathedral. London : printed by T. Woodfall; for T. N. Longman, 1796. 15,[1]p. ; 8°